portrait by david hockney
ossie at home
celia birtwell and ossie clark… a tribute to ossie by dd
“Untitled”
artists’s blood on paper
60″ x 40″ (150cm x 150cm)
2008 by kl
“Agnosia”
“I am the Sun in His Rising”
“The Divine Darkness”
all artists’s blood and hyssop oil on paper
60″ x 40″ (150cm x 150cm)
2008 by kl
“The Crown”
23K gold on paper
60″ x 40″ (150cm x 150cm)
2008
Robert Longo
Untitled(V Land)
charcoal on mounted paper
48 x 108 inches
Robert Longo
Untitled(Dragon Head)
2001
charcoal and graphite on mounted paper
82 x 66 inches
for those of us on the east coast, the last dregs of summer bring the big waves generated by hurricanes born in the south atlantic. the unrelenting shore break drags posh beachfront real estate and frolicking beach-goers right out to sea without prejudice. this is the best time of year for east coast surfers, it certainly is for me. but this summer, the biggest waves I’ve seen are on paper in robert longo’s studio. We’ve had shit for surf all summer because there haven’t been any hurricanes.
earlier in the summer i decided to do a video project that i’m calling “artists who surf.” it is the perfect no-brainer, a moderate amount of studio interview time and a whole lot of surf time. robert longo, bill komoski and michael halsband were my first choices among a growing list artist-surfers. the way I see it, a good art video is one with a little chat with an interesting artist and then a lot of wave action. don’t you agree? read more from artnet by pp
originally from vancouver, canada, tobias wong creates in new york. after studying art and architecture, he graduated in sculpture from the cooper union. wong treats design as a medium rather than a discipline to show how it embraces the aesthetics traditionally relegated to the fine arts. he’s coined the term “paraconceptual” to describe his dismantling of the hierarchies between “art” and “design.” in wong’s hands, both have similar goals.
tobias wong in his studio
remote control light switch designed for conduit group
real gold capsules… so you can shit gold… talk about social criticism
the “mirror” puzzle set a black one was done in collaboration with commes des garcon – good luck with that
wong has a way of looking at the ordinary and transforming it into something extraordinary, as expressed by his bent pencil (above), and reverse diamond ring (below) a weapon in the time of need against your husband
(below) smoking mittens for those very cold days
“protect me form what i want”
not merely conceptual, his work mocks its own consumption. wong literalized this message with a jenny holzer tattoo on his right forearm: “PROTECT ME FROM WHAT I WANT.” this maxim was written on wong’s flesh by holzer herself, then made permanent with injected ink. equally indelible are wong’s readydesigneds (replacing the anonymous readymade objects with well recognized designer pieces) refashioned. these new forms and aesthetic concepts brace against, appreciate, and invite desire. wong’s continuing exploration of this conundrum goes beyond the paraconceptual to projects he now refers to as “postinteresting”… by pp
“The Gate of Tears”
artists’s blood, boys tears, 23k golden leaf and hyssop oil on paper
60″ x 40″ (150cm x 150cm)
2008 by kl
“A Majestic King, A Child, A Sacrificed God”
artist’s blood, 23k golden leaf and hyssop oil on paper
60″ x 40″ (150cm x 150cm)
2008 by kl
“Through the Fire into the Light”
artists’s blood, 23k golden leaf and hyssop oil on paper
60″ x 40″ (150cm x 150cm)
2008 by kt
“Untitled”
artist’s blood on paper
60″ x 40″ (150cm x 150cm)
2008 by kt
“Silent Hymns”
artists’s blood on paper
panos tsagaris
60″ x 40″ (150cm x 150cm)
2008 by kt
we’re all suspicious of models warping into musicians and actors trying their hands at design, or just about anyone else who believes they have a pressing talent because they’re famous. and we should be – let them convince us! but no one doubted the success of jean-charles de castelbajac’s art exhibition triumph of the sign when the fashion legend went all arty on us with his first solo show. no, we knew bethnal green’s paradise row gallery was in safe hands because art, as his clothes proves, is the natural progression for Jean-Charles’ 40-year obsession with pop art. by kl