this collection feels like his first collections which in my opinion, were his best. this specific collection was based off of skelton’s references to brigantian mythology and samhain. like the unnamed horned deities inferred from northern british landscapes, the collection resists clarity, favoring material presence over image and ritual repetition over narrative. the garments exist in a samhain register: worn, protective, and quietly acknowledging the violence of seasonal change. shot by will waterworth and video directed by joel kerr by tnt