dior cruise at palais bulles

palais bulle cardin cannes tomorrow started dior cruise

the mood from south france captured by photographer julien pujol at the dior cruise 2016 collection. raf simons presented the collection at the iconic bubble house (le palais bulles) that was initiated by the bubble fanatic pierre cardin and the architect antti lovag. by kt

fashion vintage cars: Aston Martin DB5 with custom trunk by moynat

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right hand drive aston martin DB5 – yum!

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custom made moynat leather suitcase – sort of buckled in

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JD classics (used-car salesman? i suppose)  + moynat grace paris avenues

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and why not… a jaguar e-type to sweeten the deal, a series-1 rather, if i’m not mistaken

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ok this one did not get the full attention,just a duffel bag thrown in the front seat – i guess it was a bit half-hearted when you compare this to our hermes 2cv post…

so what happens when the oldest trunk maker in paris joins a couple of vintage british thoroughbred cars? a lot of excitement on first glance… on our end at least. because a) we love these cars, and c) moynat is the oldest leather goods and trunk manufacturer in paris. (we hate b).

established back in 1849 when louis vuitton was practically just an unknown french dude to pharrell williams’ grand father. well flash forward and vuitton made it big while moynat remained small and beautifully unknown to most.

so the story goes that LVMH pushed to initially buy out goyard… (you know, those cheap canvas and gum grocery bags they sell at barneys for just $1,400… i have a burgundy one, no monogram, that was extra $… and i needed that actually for my groceries).  it turned out goyard wasn’t for sale, at any price. so after much negotiations, LVMH decided to just purchase little moynat and flip the middle finger at goyard and just mint their own canvas and gum grocery bags to sell for say $2,000… so there, you see… today’s luxury is not about material or even craftsmanship, although it really helps if you have a good “craftsman” story to tell. then you can go and sell anything with a logo on it… come to think of it i need a moynat tote. my keys punched a whole through my other grocery bag.

but then wait, how are we gonna sell moynat? no one knows about moynat? not a problem said mr. arnaut. “just get some one that people know… lets say that guy with a small head and the big hat, pharrell williams, he seems to be doing anything that comes his way these days… didn’t he just cashed in on some of those iconic, eternally white, adidas stan smiths? painting them with childish skittles colors or something? yes lets get him to do a capsule collection… but no skittles this time” ok that’s how you sell moynat to the mass… and tell the rest of us hard noses about the history.

i suppose this half-hearted attempt at old luxury was aimed at us people. and guess what? it worked. here’s the post and i’m off to buy my next luxury grocery bag… and as far as groceries goes, who needs that… didn’t karl say you can’t ever be too rich or too skinny? or was that notorious B.I.G who said that? shit i cant recall… by dd

john galliano actually rocks maison martin margiela!!

i’m john galiano, and i’m back…





from maison martin margiela spring 2015 couture collection

wow! who knew? for one, i’m completely surprised and amazed. not that i ever doubted john galiano’s genius, and that is despite his drunken mean heartedness a few years ago when he uttered a few anti-semitic and other racist remarks towards asians which then unleashed upon him an unwarranted level of fines and hardship back in france, but because i always saw galliano and margiela as oil and water. how can some one so flamboyant and ornate as galliano do anything with a brand like margiela who is so modern and minimal? the odds were against him, even from his fans… but galliano is back to prove us all wrong. i suppose he managed to find it in his heart to go there, out of need, or necessity, or passion. but he got there. the line speaks of minimalism, extravagance, humor, and deconstruction. galliano was always like a shark that had to swim… or die otherwise. he had to come back, in order to live. we are happy for him, and sorry for him too. especially now, in the wake of the horrible events in paris, one can not help but ponder why was one’s freedom-of-speech so much more important than another’s? as voltaire once said:” i may not agree with what you have to say, but i’ll defend to death your right to say it” there should be no exceptions.  by kc

marble surfboards: mollusk, spaulings, hayden cox or alexander wang?

above: surf art not fashion

“the marble surfboards above were part of the belgian marbles show produced by the reena spaulings gallery; made of marble, they are precise copies of boards from the mollusk surf shop in brooklyn. spaulings is with an international group of artists who call themselves the bernadette corporation; the collective has produced films, a faux fashion label, albums, even a novel.” the surf boards are just a hobby on the side.

above: fashion not surf art

“haydenshapes founder hayden cox, has taken the artful practice and elevated it even further with a recent collaboration with fashion designer alexander wang.” hmmm im perhapse too lazy to research this given its god damn winter, but is this one-and-the-same? or some blatant rip-off festival?

fashion week: gareth pugh vs. godzilla and how gareth saved new york from itself


rocking the fashion world, one low-res screen at a time

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houston we have lift-off


only thing missing was lighters in the crowd

ss15: gareth pugh the brit fashion cult-icon and ex-intern at rick owens, rocked new york city two nights ago the way only rock stars can… and what a breath of fresh air that was, in this desolate world of new york fashion. how many marc jacobs (even he ran away), donna karans, calvin klein, ralph laurens shows can you go to? and once you get there what surprise is awaiting you? more merchandise to sell… in bulk. m. arnault is counting big on marc jacobs IPO. they may all be rich but not very interesting, atleast to me. “oh come on” you may say, but then there are the accused alternative gang of poor, richard chai, rodarte, narciso rodriguez and the like who do their very best in an atmosphere of drab-ery and politics, driven by the end dollar sales, aiming to inject an ounce of creativity if they can manage to sneak that in… just ask, in private they will all agree. you add to this the fact that every manny, moe & jack celebrity who has started a line (gwen stefani’s L.A.M.B. made the harper’s bazaar hotlist!!) and that every editor with a paying job is obliged to cover the crap, and you end up with a uninspiring cycle that has every average citizen in milwaukee sporting a designer hand bag, from canal street. success? maybe? but not really. i mean the minute every joe and sally wants something, its clearly not that genius or that special anymore. because by default in order to be “that popular” you have to pass everyone’s acceptance meter. well we’ve all seen what committees do to brilliance, now make that committee half the population of earth, and that’s what you get. mediocre but still over priced rags we have to all accept and choose from. pink slime… sort of.

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in the midst of all this, with mercedes-benz buying out fashion week on wholesale, little lexus rocks the boat by funding gareth pugh. and what a show that was. the waiters, food, and drinks aside, the impression of the presentation was epic. i cant remember a single outfit, and editors will be quick to justify just that. how the show was great but will not sell a single piece. well last time i checked half the runways looks never got produced thanks to buyers who second guess the public, and rightly so, after all they are after the mass. and the designers have obliged. but the show has always been about the philosophy and direction of a designer (if they happen to have one), much more than a single piece that sells… and if there is one thing you can take home with you from gareths show is that hes a genius, he is a true creative, with a new vision and great taste. that’s going to get me into the store or the site, and only then, as with everything else, i will chose to buy something or not. as for lexus, hats off to them supporting such a great talent and saving new york from itself. after all new york is what it is today thanks to thousands of fleeing souls from europe and across the world in WW2 who came here and were able to do what they couldn’t do elsewhere. looks like we need to import a bunch more, gareth is welcome any day. it seems like once they get here, and sit a while and get comfy they forget what it was all about. well-done lexus for your smart jab at mercedes for a fraction of their investment… just stay off the cobalt blue car at the entrance next time… or check with us before picking colors… otherwise a silver one would do just fine. you can also read tim blanks thoughts from style.com he had nice things to say but was rather more diplomatic than us. by dd

more days like this

ok fall, were ready for you

hallelujah! new yorkers are being treated to a nice chill in the air. i say bring it on!

while this summer’s scorch was not as bad for nyc as everyone thought it would be, i feel as though i have experienced enough stickiness for my first summer in the city. i am ready, pre-labour day, for this chill in the air. don’t get me wrong, i love the heat, but i don’t like summer clothing options as much. i long for my fall wardrobe. it’s my best dressed season. i pull it off better (not afraid to admit that i know that.) have you thought about what your best sartorial season is? do tell.

there is only so much black you can wear in the summer…

who’s with me? by kgb

GENESIS: The Messenger Part 1 of many…

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another film by the dynamic duo santiago and mauricio sierra featuring model frida gustavsson. be prepared to travel in your mind. deciphering this will not be easy but its a feast for your tired and broken eyes. your layman’s review of the clip will go something like this;

“in a dark industrial future world, frida is dead… her wicked coffin is designed by xavier veilhan. we then peak inside and find that frida lays there bare and rather oiled in fetal position. not a bad way to die…. (as a matter of fact that’s exactly how i plan to go). the machines switch on. pistons pound and wheels and gears churn. freda senses her calling from inside the coffin. she is evidently aroused by the noise and the machines as her nipples extend to the heavens. a diaphragm opens and closes. a piston pounds again. are these the machines inside her, powering her moves? or are they her sexual memories? freda leaves her womb like coffin and floats in mid air naked. she is scanned by a giant scanner. she twitches as if a shock of electricity was streamed into her vains. suddenly she opens her eyes. she is alive again! and now she is dressed… sort of nicely in heel and all (?). we scan her again. her memory is retained, she stretches her neck in one yoga move. she smirks and laughs… she is ready for something but what… find out…”

ts teams assessment; you can’t really loose with a pretty naked girl and a pair of talented boys. we will probably like what ever they will do. by xy

say what you want, but the nineties were the best time ever. and here is why:

because those gals, all together (christy turlington, cindy crawford, claudia shiffer, nadja auermann, stephanie seymour, carla bruni, naomi campbell by avedon for versace and by meisel for vogue, 1994)

 because yes, avedon was still alive (claudia shiffer & stan nelson, gianni versace ad 1994)

because everyone had plucked, dark painted eyebrows (yes even you, helena christensen. and you, drew barrymore).

because our teen-idols actually had pretty decent behaviors (ya follow, miley?)

because kirsten dunst and I shared a hairstyle

because this movie changed my life

and to end on a nerdy note, because armies of tamagotchis ruled the world.

so, dd aside, are you now convinced? by lil