our friend jean luc godard once said that “the matter it’s not where you take things from, but where you bring them to”… well not very far in this case but it’s enough to be great.
so, i love the original, i love the new version and i can’t wait to smell those pretty byredo perfumes that i’ve seen all around for a while but never been able to put my noze on. by pp
quote of the day: antoine de saint-exupery
– antoine de saint-exupery
debbie harry – blondie: from playboy bunny to the originator of new wave
debbie was at one point a dancer at union city and a not so great playboy bunny
in the late 60’s debbie worked as a secretary at the BBC radio’s new york office
this is how they dressed at the BBC back then.
stein and harry named the band blondie after the wolf whistle men often yelled at debbie from passing cars
dirty harry: the coolest image i have ever seen of debbie harry
image by warhol:
debbie’s stage persona of streetwise, sexy, cool became so closely associated with the group’s name that many came to believe debbie’s name was “blondie”
that of course lead to partner, chris steins aggravation an to this now-collector, pin!
so beach-y
nabokov’s lolita-paper back: given/signed by debbie harry and the so “innocent” brooke shields… or actually 2 savvy charlatans since there is no proof of the signatures
debbie harry at her best… love the knee pads
ok so maybe only blondie could save jersey, but even she was originally born in miami (florida) and was adopted by her to-be family in new jersey. in any case KL got us all curious now and we had to search it out. here’s the collage, or rather the barrage, of blondies retro-pix and a quote from debbie in the no exit tour book, hope you enjoy:
“hi, it’s deb. you know, when i woke up this morning i had a realization about myself. i was always blondie. people always called me blondie, ever since i was a little kid. what i realized is that at some point i became ‘dirty harry’. i couldn’t be blondie anymore, so i became dirty harry.” by xy
long live new jersey

Stages NYC: big magazine spread on stages show in new york

bigreport© is the latest from big magazine, the celebrated fashion and art mag with creative director contributors such as doug lloyd (lloyd+co), marc atlan (marc atlan design) and the like. bigreport© is a series of spreads from top creatives worldwide reporting on the going-ons in each city from the p.o.v. of each of the creative houses. this report on the stages show at the deitch gallery-new york was submitted by ceft and company’s creative director ucef hanjani. the show included works by: jules de balincourt, KAWS, richard prince, christopher wool, aaron young, futura, and others. also see the show at the emmanuel perrotin-paris by zz
Krink inc. : Everything is just so krink-ed up! a glimpse at the empire of kr (and his) ink
krink is born
alife nyc becomes the hub

black krink ink 8-litre applicator ink-extinguisher
krink screen saver
krink ink gets used
…and abused – krink ink-case computer-case from incase… jeeeez
R.I.P : the original krink-ink marker
why not… mini wants to be cool too
don’t matter if you cant drive
silver krink ink 8-litre applicator ink-extinguisher
get me one!


and finally… the krink airforce one edition in drip silver
craig costellos work compiled and krink-ed up in about 3 minutes and 40 seconds by dd
Foot Fetish master: Christian Louboutin

french shoe designer christian louboutin must be the gatekeeper of desire and principles. ‘‘when i design my summer collection, i must work in a hot place,’’ he says. ‘‘and i must be in a cold place when i design for winter.’’ he chose brazil for the summer; and for th fall winter collection his estate in the french countryside has no heat and is therefore ideal for wintertime. light wait globe-trotter, louboutin always packs light: ‘‘i only do carry-on.’’ but what about fanatics who can’t bear to part with their louboutins when they travel? ‘‘my advice to them would be to ship the pairs before. that way, they can bring as many as they’d like.’’ is that fed ex or by private carrier? by dd
r.i.p sam haskins
we’ll miss the man, for sure by pp
lara stone by “director” karl lagerfeld
poorly acted love encounters in a most unusual place, the fitting rooms at chanel. this wins the prize for the most naive and blatant abuses of love in the shameless service of commerce… director. it’s just one more thing that the great designer karl lagerfeld isn’t. lara stone however is always a welcome sight. by dd
Serge Gainsbourg interview 1973: a bout portant
in the light of the new film on gainsbourg, here is the real man. pardon the intro. for pp and serge, the two destroyers. by dd
the british PROac responce speakers: best sounding two way speakers for aspiring audiophiles



not much for looks, but these will be my next set of speaker purchases. the proac D28’s sport a pair of 6.5″ coated polypropylene cone drivers on die cast chassis and a pair of 1″ silk tweeter dome. i wont go into the black hole of audio adjectives (you can read them here) but the speakers are known for their uncolored (un-abusive base and highs) as well as proac designer, stewart tyler’s simple cross over design. they are honest sounding speakers that will not abuse or distort the recording and are a joy for long listening periods. if your music is predominantly electronic these are perhaps not for you, but then again no speaker can be accurately judged with such genre of music. at about $6,000 a pair (used ones can be fetched at audiogon for approx 3-4k) you can not expect anything more than a two way speaker, and the proacs are as good as they get in that category. the smaller mass bookshelves are bound to lack some of the base of the D28s but again you can’t cheat the laws of physics. the floor standing D28s have been on my list of replacement with my morels for some time now and i fully recommend them. if you’re in the market these are worth a listen. technical specs: 8 ohms nominal impedance, recommended amp of 10-200 watts, frequency 20hz o 30khz, sensitivity at 88db. weight 120lbs a pair. by dd
adidas arthur ashe : 1970’s limited production match play


the adidas ‘match play’ embodies key elements of the original legendary arthur ashe’s signature model. matchplay was inspired by a tennis shoe found in adidas scheinfield archive, the matchplay carries many court shoe features such as a derby cut, pimple outsole.below: arthur ashe
the adidas arthur ashe shoe was originally released in 1975, in limited quantities (1,975 pairs) to celebrate his wimbledon victory that year. it was a special edition of the adidas stan smith model.
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