“the duo has become so good at making records that i replay parts of ‘random access memories’ repeatedly while simultaneously thinking it is some of the worst music i’ve ever heard.” 

sasha frere-jones, the new yorker’s brilliant columnist and music critic wrote this article in may, and it is still looming in my conscious each time i hear a track from the “noodly jazz fusion” album. we were discussing the album here at ts headquarters earlier, and dd noted on the brilliant inconsistency, once again bringing the above words to mind. really good bad music. as usual, the french are onto something; especially since we are talking about this, months later. by sv