banned in brooklyn: dangerous read


you won”t believe the kind of books you can find in the brooklyn public library’s banned vault where they store pieces that are unfit for the ‘average reader’. mind you, we’re not talking wasila – (palin land) were talking about brooklyn new york here! after various requests from the patrons, they had to lock-up poor milo and the highly dangerous ‘tintin in congo’. that being said the library staff has said that they frequently receive requests for “much more random books” (use your imagination, as i can’t imagine what would be sitting next to tintin) of course a few yards from the vault, mein kampf, remains available…. by pp’

so sad!


sharon tate: this is one of the saddest pictures ever. if you don’t know the story, it’s best that you don’t. by dd

one of my favorite lyrics: razzmatazz Jarvis Cocker

yeah sure it’s a bit mean, but not unlike the rolling stones “play with fire” it works somehow. especially if you’ve been in such a relationship, ever.  i envision the recipient of such lyrics to be a lohan type! here you go:

The trouble with your brother, he’s always sleeping with your mother
And I know that your sister missed her time again this month
Am I talking too fast or are you just playing dumb?
If you want I can write it down
It should matter to you but aren’t you the one with your razzmatazz
and the nights on the town?
Oh you knew it and you blew it didn’t you babe?
I was lying when I asked you to stay now no-one’s gonna care
If you don’t call them when you said
And he’s not coming round tonight to try and talk you into bed
And all those stupid little things they ain’t working
No they aren’t working anymore
You started getting fatter three weeks after I left you
Now you’re going with some kid looks like some bad comedian
Are you gonna go out, are you sitting at home eating boxes of Milk Tray?
Watch TV on your own, aren’t you the one with your razzmatazz
and your nights on the town?
And your father wants to help you doesn’t he babe?
But your mother wants to put you away
Now no-one’s gonna care if you don’t call them when you said
And he’s not coming round tonight to try and talk you into bed
And all those stupid little things they ain’t working
Oh they aren’t working anymore
Oh well I saw you at the doctor’s waiting for a test
You tried to look like some kind of heiress but your face is such a mess
And now you’re going to a party and you’re leaving on your own
Oh I’m sorry but didn’t you say that things go better with a little bit of razzamatazz? by dd

bunny jarvis


a friend of mine told me this story over the week-end about jarvis cocker whom she has known for a long time. i’ll try to tell the story as she told me: she used to see jarvis in various parties and such, and at all times jarvis was handling a bottle of krug champagne and a carrot. so at some point my friend asked about the carrot, and jarvis told her that before his claim to fame, he had never had any champagne, deep in england where he comes from beer was the only choice. the first time he had champagne, he though that it was ok but it left him with a rather foul breath, so he went back to drinking beer. then it turned out, that one day he discovered krug, which he liked very much. so the story goes, he decided that he would carry a carrot in his pocket whenever he went out and after every sip of champagne, to balance the acidity, he would take a bite off the carrot to keep his fresh breath! hope my friend’s story is accurate, i love it too much to be disappointed. by pp’

Public notice #1

due to recent budget cuts and the rising cost of electricity, gas and oil, as well as current market conditions, the light at the end of the tunnel has been turned off. we apologize for the inconvenience. by dd

richard prince copyright-infringement!

original image by photographer Patrick Cariou

(text via art newspaper) Lawyers for
Richard Prince and his dealer Larry Gagosian have responded to a copyright-infringement lawsuit filed by French photographer Patrick Cariou, vigorously arguing that Prince’s appropriation of Cariou’s photographs of Rastafarians for a recent series of paintings is protected under the US doctrine of “fair use”. The suit, filed in New York after Gagosian displayed the paintings in a show titled “Canal Zone” (8 November-20 December 2008), alleges that the defendants made unauthorised use of images from Cariou’s 2000 book Yes Rasta, an ethnographic survey of Rastafarian culture that the photographer assembled during a decade of research in the mountains of Jamaica. The Rizzoli publishing house, which co-produced the “Canal Zone” catalogue and was also named in the suit, filed a response denying that it distributes the book and claiming indemnity.

 

reworked image from the richard prince show

Cariou’s lawsuit is seeking unspecified damages as well as the “impounding, destruction, or other disposition” of all 22 paintings in the series—which combines the Rastafarian images with pornography and expressionistic brushwork—as well as all unsold catalogues and preparatory materials. In their answer to Cariou’s suit, Gagosian’s lawyers assert that Prince’s incorporation of the photographs is allowable under fair use, which permits the limited reproduction of copyright material for creative purposes. “Cariou’s copyrighted works,” the response states, “are factually based in that they are real-life photographs of Rastafarians as they appear in their native environments, whereas the works of art by Prince utilise small portions of the photographs, together with other images and media, to create a new and unique work which comments upon certain aspects of culture.” Gagosian’s filing further claims that “the creation and exhibition of Prince’s works was not commercially exploitative, was justified with a genuine creative rationale, and was done without bad faith”.

 

cariou’s vs. prince’s

In his response, Prince, a renowned appropriation artist who frequently uses others’ imagery in his work, argued that the photographs in Yes Rasta are not “‘strikingly original’ or ‘distinctive’ in nature”, and that his “transformative” uses of the photographs were “done in good faith and reflect established artistic practices”. Prince’s answer furthermore stated that his appropriation, which he claims is sanctioned under fair use, “poses no harm to the value of such photographs and any market value relating to the photographs has… been enhanced rather than decreased”. Lawyers for Prince and Rizzoli declined to comment, and Gagosian’s representation did not return phone calls. Prince was sued in the 1980s for copyright infringement related to another photographer’s work; the lawsuit, lodged by Garry Gross, was reportedly settled out of court.

In a telephone conversation, Cariou, who is based in Paris, bridled at the claim that Prince only used a small portion of his Yes Rasta photographs. “In my lawyer’s opinion and others’ opinion, this case goes way beyond fair use,” he said. “They used 30 pictures of mine. If you’ve seen the ‘Canal Zone’ book, it starts with Rasta, it ends with Rasta—it is the centrality of it, there is no question.” According to Cariou, the suit has now advanced to the discovery phase, during which his lawyer will try to ascertain how much money the defendants earned from the paintings, among other matters. Gagosian’s filing states that eight paintings from the series were sold, and Cariou says they were priced between $1.5m and $3m each. To Cariou, the defendants’ response has been “extremely arrogant”, particularly the claim that his work is not distinctive or original.

“I laughed,” he said. “I could be a really bad photographer, but in that case why did you use 30 of my pictures?” Cariou says that he has already received a “settlement proposal” that he would consider for a “just” amount. “But it’s a big number we’re talking about,” he says.

what do you guys think? as far as myself, i’m already set. by pp’